Easiest Houseplants For Beginners

Houseplants are a great edition to the home, they look great, they brighten up the room and they have been proven to have numerous mental health benefits including reduced stress levels and improved mood. The only trouble is, many of us end up accidently killing them. Here’s a selection of five of the best and easiest to care for houseplants to make your home much happier, cleaner and greener!

Cacti/Succulents

Cacti and succulents are a staple of any good houseplant collection. They’re incredibly hardy and easy to take care of, so don’t worry about neglecting them a little! They store water in their leaves and stems so they are amazingly drought tolerant. Cacti are native to very warm desert like conditions so thrive best in bright direct light, succulents aren’t as needy for light but do well in bright spots! They are available in a huge variety of shapes, sizes and species so it’s easy to find one that will suit your space. They’re brilliant for first time plant owners. 

Snake Plant

Snake plants, also known as “Mother-in-Law’s Tongue” is a great plant to start off your houseplant family. It looks beautifully unique, complements any room and most importantly, its more or less indestructible! It can thrive in most conditions and works incredibly well in rooms with low light where most plants would suffer. It also doesn’t require much maintenance at all, only needing water every three weeks or so. Definitely one of the hardiest houseplants you could own. They also vary in size but most can grow up to 4ft tall in the right conditions!

Spider Plant

Spider plants are a classic and one of the most popular houseplants out there, that of course means that they’re easy to take care of! Unlike the other plants on this list, they do need a fair amount of water, never letting the soil dry out by keeping it nice and moist. That means watering it about every one to two weeks, more frequently in the summer. In terms of light, these plants need a medium bright light, this means making sure they’re well lit, but not in direct sunlight. If these plants are cared for well and get to a large size, they may also sprout little baby spider plants, meaning they’re super easy to cultivate. Overall, a great addition to the home!

Dragon Tree

Dragon trees are part of the Dracaena family who are also a hugely popular option for plant owners. Once again this plant is brilliantly hardy and can definitely tolerate some neglect from time to time. They don’t need regular watering, about every three weeks or so. They like to be positioned where there’s plenty of sun too, but can stand partial shade. Native to Madagascar, they are more or less indestructible and look great in the home, no matter how many times you forget to water it!

Money Tree

Also known as Guiana Chestnut or the Saba Nut, Money trees are a beautiful addition to the home. Native to the tropics, they look very funky and exotic, they’re also surprisingly easy to take care of! They thrive in fairly sunny spots, indirect light is best. In the tropics they grow near wetlands and swamps so they love plenty of moisture, though they need a good amount of drainage, meaning they don’t do well in standing water. Watering every one to two weeks is good, though more frequently in the summer. These trees come in a variety of sizes so you can go as big or small as you like, they’re also very tidy plants and look very impressive when in good condition, perfect for an indoor plant!

Black Lives Matter in the Media (and my town)

Following the murder of George Floyd in the US, there has been widespread unrest leading to protests across the world. Floyd’s death, at the hands of police in Minneapolis, sparked the comeback of the Black Lives Matter movement, originally founded in 2013, it has restarted to raise awareness to the police brutality and racism throughout the world. 

Peaceful protests in the US

In the current coronavirus outbreak, the UK is being encouraged to stay at home, due to this, for coverage of movements such as BLM, the media is extremely important in keeping people up to date with the current affairs, especially as the main focus of the movement is over seas. Personally, for the majority of my news, I use social media such as twitter as I believe it shows current news in a very uncensored way, it also allows me to cater my news and view different sides and opinions on current affairs from the other social media users.  Other types of media, although I don’t use them much such as TV and radio, have been covering the riots quite heavily and I have seen plenty of different opinions on there. The extensive coverage and conversation by the media for the BLM movement has touched pretty much everyone who has consumed media in the past two weeks leading to protests of our own in the UK and even issues being raised concerning a certain landmark in my rural, very traditional, hometown’s centre.

The issue was first raised on Friday the 5th June when a petition was created on Change.org to take down the Green Man and Black’s Head Royal Hotel’s sign in Ashbourne, Derbyshire, more specifically the ‘racist and cartoonist depiction of a black man’s head’ in the centre of the sign. having been brought up in the light of the BLM movement, the founder of the petition states “we in Ashbourne can do our bit to fight back against this kind of vile racism by starting at home in St John’s Street”. The sign has stood there for over 200 years originating from when the Green Man pub (founded in the 1750s to service the growing coaching trade through Ashbourne) bought the neighbouring Blackmoor’s head Inn in the 1820s – the sign was built to signify the joining fo the two rival inns. It was also declared the longest single pub sign in the country, on top of this; a grade 2 listing protects it. Despite its history, campaigners for its removal have stated that the head itself has no historical importance to the town and ‘has no place in 2020’. Although first started as a small debate within the town and on social media sites such as Facebook, it has since grabbed national attention as larger more influential news outlets such as the daily mail have an online article on the issue. Other social media sites such as Twitter, Instagram and even Tik Tok have had posts created in support or against its removal, because of this the original petition has now reached over 27,700 signatures, given that the town only has a population of about 8377 according to the 2011 census, the issue has reached far beyond the traditional market town’s people. 

The Green Man and Black’s Head sign

I think the far reaches of the removal campaign has got the media at its heart and if it weren’t for the wide use and coverage of media outlets the issue wouldn’t have reached more than a few thousand people. Likewise, the BLM movement wouldn’t have reached across into the UK never mind into my small, rural Derbyshire town if it weren’t for the heavy media coverage and social media usage of the 21st century. 

Editing Techniques and Conventions Blog

Post-production, more specifically editing is a huge part of producing films, in fact without editing, films wouldn’t exist. Editing sounds fairly simple but it requires a huge amount of skill to get it right; after all, a film could be incredible but if the editing is rubbish then the film will be nothing more than bin material. Editing is just as important as all the fancy stuff like actors, sets and costumes; it can alter an audience’s perception of a film and influence them when they watch the film by using different conventions and techniques. For example, do you think jump scares in horror films would be just as scary if they didn’t use creepy music and didn’t build up any tension beforehand?

Of course, in the beginning of cinema, there wasn’t really such thing as editing, someone would just film something like a train going past and everyone would be so amazed at this moving picture that they didn’t care that nothing exciting was really happening. Eventually people cottoned on that watching a five second clip of everyday life wasn’t exciting and people lost interest in cinema, many thought cinema and video didn’t have a future, until the introduction of editing. Editing was extremely simple in the beginning, people would film a couple of scenes and then cut the film, sticking scenes together and therefore making one film with multiple scenes, eventually these turned into fully fledged stories that captivated audiences, and not just because it was a moving image. As time went on, editing developed and many editing techniques were born, often created by pioneers. Things such as in camera editing where a film would be made by just shooting in chronological order, so when filming was finished the footage would be taken out and replayed to show a story. Following the action is a widely used technique which is still heavily used, its purpose is literally to follow the action, it’s used to follow a character during an action or fast paced scene by focusing on the subjects in the scene, drawing the audience’s attention to it. Other techniques developed like multiple points of view, so that the action can be seen from multiple angles, this links in with shot variation where multiple shots are used to show the action. Pioneers such as the Lumierre brothers, who created one of the first motion picture cameras and one of the first projectors, and D.W Griffith, who created the first feature length film (more than 40 minutes) along with developing shots such as close ups and panoramic views. A pioneer named Sergei Einstein was the first to develop the technique of manipulating space and time on screen, so making time on screen speed up or slow down, not using natural progression of time. He did this by making montages, this is now a very common technique in cinema today, one of his most famous is in the film Rocky. This montage’s purpose was to show the character changing in a short period of time in real life but the audience understand that the period of time on screen is much longer. The way we record films has changed drastically too, up until about the early 00’s films were analogue meaning they would be shot on film, through the 00’s film was being used less and less and was replaced by filming digital, although many directors still prefer using analogue, as Quentin Tarantino once said “if I can’t shoot on film, I’ll stop making movies”.

Rocky’s Montage

  So, what is the purpose of editing? Other than the fact that it literally makes a film work. Well, these techniques enhance the film and make it a much more enjoyable viewing experience. Editing and its techniques are used to tell a story, after all, editing is used to put all the different shots (most likely not filmed in chronological order) together to tell a story, when a story is produced, that story’s purpose is to engage the viewer and attract the audience into going to see the film (bums on seats and all that jazz). However, attracting and engaging an audience isn’t always that simple, in fact it barely ever is, editing techniques like the ones previously mentioned are used to engage and interest the viewer, it makes the viewer become active consumer so that they interact with the film. For example horror movies, yes, a film can be scary in its raw form without any editing from the way it is shot and the settings, lighting and costumes used, but it will never reach it’s full potential until there’s a creepy soundtrack, jump scares left right and centre and a weird dystopian filter put over all the shots that makes the audience feel on edge. Developing drama on screen is also a purpose of editing, perhaps techniques such as following the action helps develop drama on screen think of the final fight scene between Harry and Voldemort in Harry Potter and the Deathly Hallows part 2, Harry and Voldemort both scramble towards their wands in slow motion, the use of close up shots and long shots build up the tension along with some pretty dramatic music in the background. I could use this scene for some other purposes, for example, relationship to genre is pretty obvious on screen there is a wand fight which uses special effects to show curses bursting from both wands towards each other and Voldemort eventually disintegrating and becoming basically dust (which may I add, doesn’t happen in the book so I’m still pretty annoyed about that – Voldemort’s horcruxes have been destroyed meaning he is nothing more than an ordinary man at this stage so why does he fly off into the atmosphere instead of dropping down dead?) This would never happen in real life so its pretty clear that it is a fantasy film. Compiling shots is key in this scene, the shots needed to be in chronological order, you couldn’t have Voldemort dying one moment and then crawling towards a wand the next, it wouldn’t male sense. The pace of the scene is also important, this also links to the manipulation of time and space, although we know the scene is probably happening very quickly it still happens in slow motion to increase the tension and to be honest, just to drag it out a little, Harry and Voldemort have been trying to kill each other for the past seven films, finally its happening, I don’t blame them for building up the tension by using slow mo and some funky music; it also makes the film more enjoyable, watching an evil dark wizard disintegrate slowly and dramatically into the atmosphere is very satisfying (unless you care about the accuracy to the book – then it’s just disappointing).  

Harry Kills Voldemort

Within editing there are a huge range of techniques, and in this paragraph, I’m going to mention as many as possible. To kick us off we have seamless continuity, continuity is important as it makes the film believable, continuity issues are not good, bad continuity is when a scene has things such as people standing is slightly different places in different shots, when in the scene they’re not supposed to be moving at all, so basically the scene looks unprofessional and very bad, the idea is to not let the audience know there’s a camera in the scene so they immerse themselves into the storyline, but when there’s shadows of cameras or a change of clothes mid scene, its hard to be fully engaged. Montages are another technique, previously mentioned, jump cutting is transitioning from one scene to another but not using effects like a fade out to make the transition more abrupt, parallel editing is when two scenes are happening at the same time, they can be related or completely unrelated, they are edited together using crosscutting (cutting away from one action to another) so that they kind of become one scene but in two different locations. The 180 rule is a big technique used on film sets, when filming an ‘invisible line’ is drawn out across the set and no cameras should cross this line, if they do, the film doesn’t look right, it feels weird – don’t ask me why, it just does. Transitions between shots like cut dissolve, fade, wipe, shot – reverse – shot, point of view shots and cutaways improve the film by making the viewer more engaged. Butting to soundtrack is also a big feature, using soundtrack is a key part of a film and editing to match the soundtrack just improves it, for example using short, sharp and fast shots with a quick piece of music and slower more smooth shots with a slow paced piece of music, this links in with the rhythm of the scene, it can aid enforcing the scenes rhythm and pace. Finally, editing can also influence how much information an audience has, it can provide or withhold information, an example of this would be in the film Truly Madly Deeply where at the very start of the film, character Nina is describing hearing her partner’s voice telling her to do things such as to walk in the middle of the road at night when she feels scared, how to brush her teeth properly and to lock the backdoor, when she describes these activities she is doing those things on screen and her voice is a voice over . A voice then interrupts Nina’s and asks “how long ago did Jamie die?”, the scene then fades into a scene where her partner, Jamie is playing the cello, it is now clear to the audience who’s the voice was telling her what to and that he has died, so Nina is hearing the voice of her late partner Jamie.

I can’t find the opening scene to Truly Madly Deeply online so here’s the next best thing, the trailer.

So, what is the purpose of editing? It is no longer just putting different shots together in a chronological sequence, it is so much more than that. It engages the audience and makes the film feel more believable, it makes the audience laugh, feel scared, sad and happy. Without editing the cinematic world would be a much duller place and probably would have met its end in the late 19th century, luckily for us, some clever bloke came along and started sticking lines film together and making a story out of them, cinema was never the same again.

Me and my Movies

Although I don’t watch films often, I enjoy being able to sit down, relax and watch a good film on Netflix. I enjoy a wide range of films so I don’t stick to a particular genre though, I enjoy to watch films depending on what actors are in the film or who directs the film. For example, I’ve pretty much watched all of Alan Rickman’s films; it started with Harry Potter then it spiralled out of control. (I have a Dr Marten’s shoebox full of his films). There are some genres of film I don’t like such as thrillers, they’re too stressful. I don’t understand why at the end of a long, stressful day, you’d sit down to watch a film that makes you stressed all over again, how is that enjoyable? If I had to pick a favourite genre I would pick either fantasy or indie. I like fantasy as it transports you to a world totally different from our own, such as the Harry potter films which I absolutely love! (which I have spent way too much money on merchandise for). I enjoy indie films because they feel so artistic and unique, they’re not your typical blockbuster. They usually explore deep themes that aren’t found in mainstream films. Such as the film Snow Cake staring Alan Rickman and Sigourney Weaver. They explore the themes of death and disability. The film focuses on the friendship between a man who was in a fatal car accident with a high functioning autistic woman’s daughter who died; not your conventional plot.

Comic book word scrabble, Dazlious!

The relationship between a film and its audience is essential for the film to be successful. The film aims to interact and connect to the viewer when they’re watching it. Each genre has a different way of connecting with the audience. A comedy would aim to make the viewer laugh and feel happy, thrillers would make the viewer feel on-edge and stressed. One of the most effective is horror films such as The Woman in Black. The Woman in Black is the story of a solicitor (Daniel Radcliffe) who goes to a remote mansion where he discovers the ghost of a woman who wants revenge for the death of her son who died in the surrounding marsh. As ‘The Woman’ is vengeful, dead, dressed all in black and lives in a huge house at the end of a lane that goes over vast marshland, only accessible when the tide is out, it’s a pretty scary film. The producers made the film even scarier by using limited lighting and colour, jump scares, long dark corridors, and the scariest of all, singing children. This all means that the audience interacts with the film as it makes the viewers feel scared, people watch horror films such as The Woman in Black to feel scared. When a film interacts with an audience it means that the film and audience connect, this means that for the viewer, they feel much more in touch with the film. A film that I don’t really like is The Remains of the Day starring Emma Thompson; I didn’t like it because it didn’t interact me as a viewer, everyone is entitled to their own opinion of the film but I felt it was slow and it didn’t engage me as much as it could have done. An Emma Thompson film I do enjoy though is Saving Mr Banks, this is about the making of Mary Poppins in 1964. I enjoyed it because I felt engaged with it and I could really connect with Emma Thompson’s character P.L travers. I could tell I had connected with the film since I always end up crying in the final scene where P.L Travers cries in the Mary Poppins’ premier where the film is being shown (“he fixes the kite!”)

The Premier

Film theories are used to explain how films work, there are many different film theories but my favourite theories are the Auteur Theory and the Feminist. The auteur theory is about directors and their distinctive styles. A director you could apply this theory to is Tim Burton. Tim burton’s films are identified by their dark humour, fantasy genre, eccentric style and scary themes. He also is known for reusing cast members such as Helena Bonham Carter and Johnny Depp. Some of his most notable films are The Nightmare Before Christmas, Alice in Wonderland, Edward Scissorhands, Charlie and the Chocolate Factory, Beetlejuice and Corpse bride. Personally, I like Sweeney Todd: The Demon Barber of Fleet Street. At first, I watched it for Alan Rickman (surprise surprise) but I started to enjoy it because of the musical numbers; taken from the stage version of Sweeney Todd. My favourite Tim Burton film is Dark Shadows because it displays all of Burton’s distinctive features. The film is about an imprisoned Vampire (Johnny Depp) from the 1700s who is finally freed by an unsuspecting construction crew from his coffin into 1972. The film is about him adapting to this new modern world he has come into with his descendent family, the Collins’. Tim Burton displays some of his dark humour through the dialogue and interactions the vampire has with the unfamiliar world, he shows his eccentric style through the costumes and setting the film is in, the 70s era is really exaggerated, especially through teenage character Caroline.

The Collins’

Another film theory that I like is the Feminist theory; this can be applied to one of my favourite films, Oceans 8.  Although I haven’t seen any of the other Ocean films, I knew I’d like this one purely on cast alone (Cate Blanchett, Helena Bonham carter, Sarah Paulson, need I say any more?).  This film also interested me because the cast was so strongly female, which brings me onto the feminist theory. As the cast was prominently female it meant that the film relies on powerful women to carry its plot. Its plot is about a group of women who successfully pull off a heist on the Met Gala, they steal the Toussaint, a $150 million Cartier necklace earning them all a share of the profits. As the heist is risky it requires, strength, intelligence and a whole host of other skills, traditionally a heist of such risk would most likely have been performed by men, as societal norms tell us that only men are capable of pulling of a heist of such complexity. This film is different, and it differs from the other Oceans films that have had men as the main characters, these women did not rely on men to pull of the heist, they can do it themselves. This presents powerful 21st century women (in power suits in Lou’s case) achieving something that society believes only men are capable of; it was a huge step in the representation of powerful women in film.

Leading ladies

When I pick a film to watch, I don’t particularly have a rule on what films I would pick or wouldn’t. I often pick films depending on what actors are in the film; an actor I did (I still kind of do) love is Alan Rickman. I can’t say why Alan caught my eye particularly but I know that he was definitely special when it comes to actors. I believe the reason a person likes actors is that they feel a connection with them. I have an Alan Rickman / Harry Potter fan account and I asked my followers what makes them like actors such as Alan so much, one person said that “he gets into character really well and in every role he brings his all”, another said “he articulates certain sounds well and he’s an attraction on screen”. The response I agree with the most is “I admire his ability to pull off any character and still make us love him”.

I also love other actors like Helena Bonham Carter, Emma Thompson and Kate Winslet, I also love directors such as Tim Burton, and I like the influence that directors and actors has on films. Its like when you see that a particular actor is in a film, you know it’s going to be good because they wouldn’t act in just any old rubbish.  I definitely don’t just rely on actors though; I will just pick a film that takes my fancy in the moment. An example is a film I watched a couple of weeks ago called Pirate Radio. It was about a pirate radio station set on a boat in the North Sea (based on Radio Caroline) written by Richard Curtis. The film is set in the 1960s; the height of pirate radio stations and follows ‘Radio Rock’ the most popular pirate radio in the country and the government officials trying to close them down. I really enjoyed this film because of its themes of music predominantly, but because of its setting, its time period, the LGBT theme and its casting (I was pleasantly surprised when Emma Thompson turned up halfway through).  This shows that literally any film can jump out and become a favourite, you don’t have to stick to a genre or a time period or a certain set of actors (guilty!). Anything can catch your eye; you just need to give it a try.

Pirate Radio

Stop motion blog

Stop motion is an animation technique where objects are moved and manipulated between individual frames which are taken manually on camera. When all these frames are put together, the objects appear to move by themselves. There are many forms of stop motion animation such as using clay or using average objects and adjusting them so they appear to move on their own. Stop motion usually uses 24 frames per second or FPS, however some animations use more or less. Using more FPS makes the animation feel smoother and using less makes it seem choppy and rough. Animation has developed a huge amount over the years starting from devices such as the Zoetrope and moving on to modern day productions such as the Aardman films. Even though animation has changed, the basic idea and techniques remain the same.

Genres and Form

Wallace and Gromit

Aardman Animations

There are a large variety of stop motion animation techniques, popular forms are clay and Plastercine animation, used in early Aardman productions such as Morphe or Wallace and Gromit. Found object animation is used in productions like Ooglies. Other popular forms include modelling where people are used in the animation and models themselves as the object such as in the music video ‘Sledgehammer’ by Peter Gabriel. Puppetry is also used regularly in more recent productions by Aardman like Shawn the Sheep and in Tim Burton’s Nightmare before Christmas in 1993. Some productions also use combined forms, this is when multiple forms of stop motion are used in the same project. An example of combined format animation is the advert for X-Box where there is clay animation combined with modelling.

Stop motion animation can be accessed in a variety of ways such as computer games, on mobile phones, websites and apps. It can also be accessed on TV shows such as Pingu and The Clangers. Examples of stop motion films include the Aardman production Chicken Run and Tim Burton’s Corpse Bride. Many TV indents use animation such as the indents for TV channel E4. Some TV adverts also use stop motion to promote their product. Music videos that use Stop motion include Passenger’s ‘Thunder and Lightning’ and ‘Simple song’ videos both directed by Matthew Robins for Passenger’s album ‘The Boy Who Cried Wolf’ in 2017.

Pioneers of Animation

Praxinoscope

Emilie Reynaud

Animation has moved on leaps and bounds over the years from the first ever animation devices such as the Phenakistiscope in 1833. Pioneers such as Emilie Reynaud who created ‘Pauvre Pierrot’, an animated film in 1893, have helped the progression of animation with the device the ‘Praxinoscope’. This is a cylinder and a strip of paper, which shows twelve frames of an animation. As the cylinder rotates the viewer can look at the mirrors in the center and the reflections of the animation frames around the outside appear to move. The Praxinoscope was invented in 1876 and became a great commercial success as a child’s toy and won recognition at the great exhibitions of the period. Emilie Reynaud is important to animation as he created one of the first projected animated films and created the first ever paid public screening in 1895, often seen as the birth of cinema.

Kinetoscope

Thomas Edison

Thomas Edison, often described as America’s greatest inventor was also a pioneer of animation.  He created a device with William Dickson in 1891 called the Kinetoscope. Inside the device, a strip of film would be passed quickly between a lens and an electric light bulb. The viewer would look through a small peep hole, behind the hole was a spinning wheel with a narrow slit that acted as a shutter letting the viewer have a short lasting view of each of the 46 frames passing in front of the shutter every second. The result was a lifelike animation where the frames looked like they were merging together and creating a moving animation. This was a huge advance on other animation devices as there was much more freedom with what the animator could create due to the high number of frames where other devices only had 12 frames they could play around with. The invention was publicly exhibited on Broadway and created an immediate sensation. Although, Edison is famous for many more things other then animation, he contributed a huge amount as his Kinetoscope formed the basis of the first apparatus used to project motion-picture film.

Developers of animation

Alice

Jan Švankmajer

From the roots of animation, the stop motion style has developed by people such as Willis O’brien and Jan Švankmajer. Willis O’Brien was responsible for some of the greatest animation works in history including The Lost world (1925) and King Kong (1933). Some of his first works include ‘The Dinosaur and the Missing link’ in 1917. This was a ground breaking picture, even though it was only six minutes long. The picture included some of the first ever combined-form animation with both live action and stop motion animation. Some audiences even believed that dinosaurs had come back after watching how lifelike and advanced the dinosaur animation was. Many people believe he was the first to do animation and special effects ‘properly’. He paved the way and was a huge influencer for modern day animators.

Jan Švankmajer is most notable for work such as Alice (1988), Faust (1994) and lunacy (2005). He is well known for his eccentric and surreal style across several forms of media including stop motion animation. He is famed for giving his own dark twist on fairy tales and for prioritising visual elements over the plot and narrative, others value him for his use of dark fantasy.He has influenced modern day animators such as Tim Burton with his dark surrealist style.

Contemporary animators

Tim Burton

Set of Frankenweenie

In 2019 animation is incredibly popular and is making a comeback through many different mediums. With the world of social media, animation can be shared and passed on reaching a wider audience than ever before; contemporary animators such as Tim burton and Aardman Animations help this along. Aardman is one of the leading animation companies in the world earning them a global following. Their award winning work spans across several types of media including TV, film and advertising. The company began in 1972 and continues to make animations today. They predominantly used Plasticine when the company began but that has now transformed into puppetry as the puppets are much more sturdy and easy to move than Platicine. Their most popular film, Chicken Run (2000), became the highest-grossing stop motion film of all time. Their first official TV production was Morphe in 1977 and still remains a favourite to many animation fans. Some of their most recent work such as Shawn the Sheep is broadcast to the children of today on channels like CBBC. Shawn the Sheep has had a long running TV spot and a Film made out of the lovable character.

Director Tim Burton is a major influencer of the modern day animation scene with productions such as The Nightmare before Christmas and Alice in Wonderland. He started off as a stop motion animator but moved on to live action films such as Sweeney Todd in 2007 and Charlie and the Chocolate Factory in 2005. Although he hasn’t directed many purely stop motion animation films recently he continues to use animation alongside live action films such as Alan Rickman’s character ‘Absolem’ in Alice in Wonderland and using animation to create the character ‘Dumbo’ in his most recent film; a live action remake of Disney’s Dumbo. He has been heavily influenced by surrealist animators like Jan Švankmajer, which have given him a distinguishable style setting him apart from other modern day animators. This dark and slightly goofy style is most noticeable in productions such as Beetlejuice in 1988, which displays a range of dark themes, comedy and characters. Films like Beetlejuice established him as an unconventional filmmaker and a role model for many other aspiring animators and film makers.